2026 校際朗誦節 粵語 及 普通話 誦材目錄
詳情以 香港學校音樂及朗誦協會公佈為準。
| 地區及項目編號 | 項目 | 語言組別 | 性別組別 | 年級 | 誦材 |
|---|---|---|---|---|---|
| U/E/K/Y 302 | 詩詞獨誦 | 粤語組 | 女子組 | 中學五、六年級 | 1) 詠懷 - 阮籍 & 2) 摸魚兒 - 元好問 |
| U/E/K/Y 303 | 詩詞獨誦 | 粤語組 | 女子組 | 中學四年級 | 1) 行路難 - 李白 & 2) 待定踏莎行 春暮 - 寇準 |
| U/E/K/Y 304 | 詩詞獨誦 | 粤語組 | 女子組 | 中學三年級 | 1) 九日齊山登高 - 杜牧 & 2) 浪淘沙令 - 李煜 |
| U/E/K/Y 305 | 詩詞獨誦 | 粤語組 | 女子組 | 中學二年級 | 1) 餞別王十一南遊 - 劉長卿 & 2) 浪淘沙近 - 宋祁 |
| U/E/K/Y 306 | 詩詞獨誦 | 粤語組 | 女子組 | 中學一年級 | 1) 詠老馬 - 沈烱 & 2) 生查子 - 歐陽修 |
| U/E/K/Y 307 | 詩詞獨誦 | 粤語組 | 女子組 | 小學六年級 | 聽 - 洛美 |
| U/E/K/Y 308 | 詩詞獨誦 | 粤語組 | 女子組 | 小學五年級 | 海戀──記臺灣北海岸石門 - 廖書蘭 |
| U/E/K/Y 309 | 詩詞獨誦 | 粤語組 | 女子組 | 小學四年級 | 在這夏天 - 李廣田 |
| U/E/K/Y 310 | 詩詞獨誦 | 粤語組 | 女子組 | 小學三年級 | 螳螂和蟬 - 林武憲 |
| U/E/K/Y 311 | 詩詞獨誦 | 粤語組 | 女子組 | 小學二年級 | 天上的星星 - 向陽 |
| U/E/K/Y 312 | 詩詞獨誦 | 粤語組 | 女子組 | 小學一年級 | 慈母 - 周鑑超 |
| U/E/K/Y 314 | 詩詞獨誦 | 粤語組 | 男子組 | 中學五、六年級 | 1) 觀刈麥 - 白居易 & 2) 卜算子 黃州定惠院寓居作 - 蘇軾 |
| U/E/K/Y 315 | 詩詞獨誦 | 粤語組 | 男子組 | 中學四年級 | 1) 古詩十九首.東城高且長 - 佚名 & 2) 鷓鴣天 送人 - 辛棄疾 |
| U/E/K/Y 316 | 詩詞獨誦 | 粤語組 | 男子組 | 中學三年級 | 1) 杜工部蜀中離席 - 李商隱 & 2) 鵲橋仙 - 陸游 |
| U/E/K/Y 317 | 詩詞獨誦 | 粤語組 | 男子組 | 中學二年級 | 1) 蜀相 - 杜甫 & 2) 菩薩蠻 - 納蘭性德 |
| U/E/K/Y 318 | 詩詞獨誦 | 粤語組 | 男子組 | 中學一年級 | 1) 飲酒 - 陶淵明 & 2) 浣溪沙 - 李璟 |
| U/E/K/Y 319 | 詩詞獨誦 | 粤語組 | 男子組 | 小學六年級 | 問 - 周鑑超 |
| U/E/K/Y 320 | 詩詞獨誦 | 粤語組 | 男子組 | 小學五年級 | 香港之歌 - 孫重貴 |
| U/E/K/Y 321 | 詩詞獨誦 | 粤語組 | 男子組 | 小學四年級 | 山旅──記臺灣中部橫貫公路 - 廖書蘭 |
| U/E/K/Y 322 | 詩詞獨誦 | 粤語組 | 男子組 | 小學三年級 | 越過高山 - 安之 |
| U/E/K/Y 323 | 詩詞獨誦 | 粤語組 | 男子組 | 小學二年級 | 眼睛(節錄) - 楊喚 |
| U/E/K/Y 324 | 詩詞獨誦 | 粤語組 | 男子組 | 小學一年級 | 風 - 尹世霖 |
| U/E/K/Y 326 | 詩詞獨誦 | 普通話組 | 女子組 | 中學五、六年級 | 1) 聽穎師彈琴 - 韓愈 & 2) 祝英臺近 晚春 - 辛棄疾 |
| U/E/K/Y 327 | 詩詞獨誦 | 普通話組 | 女子組 | 中學三、四年級 | 1) 戲答元珍 - 歐陽修 & 2) 蟾宮曲 • 金陵懷古 - 盧摯 |
| U/E/K/Y 328 | 詩詞獨誦 | 普通話組 | 女子組 | 中學一、二年級 | 1) 春夜喜雨 - 杜甫 & 2) 水仙子 • 尋梅 - 喬吉 |
| U/E/K/Y 329 | 詩詞獨誦 | 普通話組 | 女子組 | 小學五、六年級 | 成功之門不上鎖 - 鍾桂蘭 |
| U/E/K/Y 330 | 詩詞獨誦 | 普通話組 | 女子組 | 小學三、四年級 | 曬太陽 - 林武憲 |
| U/E/K/Y 331 | 詩詞獨誦 | 普通話組 | 女子組 | 小學一、二年級 | 沙灘 - 顧城 |
| U/E/K/Y 332 | 詩詞獨誦 | 普通話組 | 男子組 | 中學五、六年級 | 1) 月十七日夜醉中作 - 陸游 & 2) 賀新郎 送胡邦衡謫新州 - 張元幹 |
| U/E/K/Y 333 | 詩詞獨誦 | 普通話組 | 男子組 | 中學三、四年級 | 1) 金陵驛 - 文天祥 & 2) 太常引 建康中秋夜爲呂叔潛賦 - 辛棄疾 |
| U/E/K/Y 334 | 詩詞獨誦 | 普通話組 | 男子組 | 中學一、二年級 | 1) 渡荊門送別 - 李白 & 2) 清平樂 獨宿博山王氏菴 - 辛棄 |
| U/E/K/Y 335 | 詩詞獨誦 | 普通話組 | 男子組 | 小學五、六年級 | 風 - 謝武彰 |
| U/E/K/Y 336 | 詩詞獨誦 | 普通話組 | 男子組 | 小學三、四年級 | 聽雪 - 金波 |
| U/E/K/Y 337 | 詩詞獨誦 | 普通話組 | 男子組 | 小學一、二年級 | 秋天的信 - 林武憲 |
| U/E/K/Y 402 | 散文獨誦 | 粤語組 | 女子組 | 中學五、六年級 | 禮記.大學(節錄) |
| U/E/K/Y 403 | 散文獨誦 | 粤語組 | 女子組 | 中學四年級 | 白馬湖之冬(節錄) - 夏丏尊 |
| U/E/K/Y 404 | 散文獨誦 | 粤語組 | 女子組 | 中學三年級 | 雨後虹(節錄) - 徐志摩 |
| U/E/K/Y 405 | 散文獨誦 | 粤語組 | 女子組 | 中學二年級 | 淡淡的生活(節錄) - 曾琪淑 |
| U/E/K/Y 406 | 散文獨誦 | 粤語組 | 女子組 | 中學一年級 | 生命成長的意義 - 廖書蘭 |
| U/E/K/Y 407 | 散文獨誦 | 粤語組 | 女子組 | 小學六年級 | 生命的訊息(節錄) - 席慕蓉 |
| U/E/K/Y 408 | 散文獨誦 | 粤語組 | 女子組 | 小學五年級 | 蒙娜麗莎的微笑(節錄) - 琦君 |
| U/E/K/Y 409 | 散文獨誦 | 粤語組 | 女子組 | 小學四年級 | 安樂窩(節錄) - 琹涵 |
| U/E/K/Y 410 | 散文獨誦 | 粤語組 | 女子組 | 小學三年級 | 狗 • 貓 • 鼠(節錄) - 魯迅 |
| U/E/K/Y 411 | 散文獨誦 | 粤語組 | 女子組 | 小學二年級 | 香蝴蝶 - 張秋生 |
| U/E/K/Y 412 | 散文獨誦 | 粤語組 | 女子組 | 小學一年級 | 勤勞與懶惰 - 湯祥龍 |
| U/E/K/Y 414 | 散文獨誦 | 粤語組 | 男子組 | 中學五、六年級 | 諫太宗十思疏(節錄) - 魏徵 |
| U/E/K/Y 415 | 散文獨誦 | 粤語組 | 男子組 | 中學四年級 | 讀園林(節錄) - 董橋 |
| U/E/K/Y 416 | 散文獨誦 | 粤語組 | 男子組 | 中學三年級 | 鷹(節錄) - 王良和 |
| U/E/K/Y 417 | 散文獨誦 | 粤語組 | 男子組 | 中學二年級 | 今夜星光燦爛(節錄) - 小思 |
| U/E/K/Y 418 | 散文獨誦 | 粤語組 | 男子組 | 中學一年級 | 勿吝惜讚美(節錄) - 東瑞 |
| U/E/K/Y 419 | 散文獨誦 | 粤語組 | 男子組 | 小學六年級 | 老榕移居(節錄) - 小思 |
| U/E/K/Y 420 | 散文獨誦 | 粤語組 | 男子組 | 小學五年級 | 流星雨(節錄) - 韋婭 |
| U/E/K/Y 421 | 散文獨誦 | 粤語組 | 男子組 | 小學四年級 | 阿里山小唱 • 觀日出 - 畢璞 |
| U/E/K/Y 422 | 散文獨誦 | 粤語組 | 男子組 | 小學三年級 | 誰先綠的 - 張秋生 |
| U/E/K/Y 423 | 散文獨誦 | 粤語組 | 男子組 | 小學二年級 | 貓(節錄) - 老舍 |
| U/E/K/Y 424 | 散文獨誦 | 粤語組 | 男子組 | 小學一年級 | 耳朵(節錄) - 阿濃 |
| U/E/K/Y 426 | 散文獨誦 | 普通話組 | 女子組 | 中學五、六年級 | 六國論(節錄) - 蘇洵 |
| U/E/K/Y 427 | 散文獨誦 | 普通話組 | 女子組 | 中學三、四年級 | 大隱者言 • 樹(節錄) - 杏林子 |
| U/E/K/Y 428 | 散文獨誦 | 普通話組 | 女子組 | 中學一、二年級 | 茶(節錄) - 王良和 |
| U/E/K/Y 429 | 散文獨誦 | 普通話組 | 女子組 | 小學五、六年級 | 推開心靈的窗戶 - 柳迦柔 |
| U/E/K/Y 430 | 散文獨誦 | 普通話組 | 女子組 | 小學三、四年級 | 學詩筆記(一)(節錄) - 顧城 |
| U/E/K/Y 431 | 散文獨誦 | 普通話組 | 女子組 | 小學一、二年級 | 玩滑梯的小星星(節錄) - 張秋生 |
| U/E/K/Y 432 | 散文獨誦 | 普通話組 | 男子組 | 中學五、六年級 | 滿井遊記(節錄) - 袁宏道 |
| U/E/K/Y 433 | 散文獨誦 | 普通話組 | 男子組 | 中學三、四年級 | 杜鵑花與杜鵑鳥(節錄) - 舒慧 |
| U/E/K/Y 434 | 散文獨誦 | 普通話組 | 男子組 | 中學一、二年級 | 花鳥(節錄) - 余光中 |
| U/E/K/Y 435 | 散文獨誦 | 普通話組 | 男子組 | 小學五、六年級 | 你是獨特的(節錄) - 韋婭 |
| U/E/K/Y 436 | 散文獨誦 | 普通話組 | 男子組 | 小學三、四年級 | 我並不要贏別人(節錄) - 張曉風 |
| U/E/K/Y 437 | 散文獨誦 | 普通話組 | 男子組 | 小學一、二年級 | 哎喲,好痛好痛(節錄) - 張秋生 |
| N439 | 說故事 | 粤語組 | 男女皆可 | 小學五、六年級 | 自選誦材不能選自今屆比賽目錄內之指定誦材。 |
| N440 | 說故事 | 粤語組 | 男女皆可 | 小學三、四年級 | 自選誦材不能選自今屆比賽目錄內之指定誦材。 |
| N441 | 說故事 | 粤語組 | 男女皆可 | 小學一、二年級 | 自選誦材不能選自今屆比賽目錄內之指定誦材。 |
| N442 | 二人朗誦 | 粤語組 | 男女皆可 | 中學五、六年級 | 郊迎管仲(節錄) - 唐羚 |
| N443 | 二人朗誦 | 粤語組 | 男女皆可 | 中學三、四年級 | 留取丹心照汗青(節錄) - 劉秋生選編 |
| N444 | 二人朗誦 | 粤語組 | 男女皆可 | 中學一、二年級 | 師生緣 - 唐羚 |
| N445 | 二人朗誦 | 粤語組 | 男女皆可 | 小學組 | 奇聯巧對(節錄) - 李仲賢編撰 |
| N459 | 天主教經文朗誦 | 粤語組 | 男女皆可 | 中學組 | 若望福音(12.23-28) |
| N460 | 天主教經文朗誦 | 粤語組 | 男女皆可 | 小學組 | 路加福音(9.1-6) |
| N461 | 基督教經文朗誦 | 粤語組 | 男女皆可 | 中學五、六年級 | 傳道書(3:9-15) |
| N462 | 基督教經文朗誦 | 粤語組 | 男女皆可 | 中學三、四年級 | 彌迦書(4:1-4) |
| N463 | 基督教經文朗誦 | 粤語組 | 男女皆可 | 中學一、二年級 | 約翰福音(13:31-35) |
| N464 | 基督教經文朗誦 | 粤語組 | 男女皆可 | 小學四至六年級 | 馬太福音(3:13-17) |
| N465 | 基督教經文朗誦 | 粤語組 | 男女皆可 | 小學一至三年級 | 馬太福音(6:9-13) |
| N466 | 佛教詩文作品朗誦 | 粤語組 | 男女皆可 | 中學五、六年級 | 於第一義而不動(節錄) - 霍韜晦 |
| N467 | 佛教詩文作品朗誦 | 粤語組 | 男女皆可 | 中學三、四年級 | 華嚴經 卷六十一 入法界品之二(節錄) |
| N468 | 佛教詩文作品朗誦 | 粤語組 | 男女皆可 | 中學一、二年級 | 佛說阿彌陀經(節錄) |
| N469 | 佛教詩文作品朗誦 | 粤語組 | 男女皆可 | 小學四至六年級 | 法句經(節錄) |
| N470 | 佛教詩文作品朗誦 | 粤語組 | 男女皆可 | 小學一至三年級 | 小小的過失 - 印順法師 |
| N471 | 道教詩文作品朗誦 | 粤語組 | 男女皆可 | 中學五、六年級 | 1) 塵累 - 姬志眞 & 2) 沁園春 示眾 - 丘處機 |
| N472 | 道教詩文作品朗誦 | 粤語組 | 男女皆可 | 中學三、四年級 | 1) 居山 - 姬志眞 & 2) 青蓮池上客 幽棲 - 丘處機 |
| N473 | 道教詩文作品朗誦 | 粤語組 | 男女皆可 | 中學一、二年級 | 1) 惜芳菲 - 邵雍 & 2) 黃鶴洞中仙 贈同道 - 丘處機 |
| N474 | 道教詩文作品朗誦 | 粤語組 | 男女皆可 | 小學四至六年級 | 1) 談論各處見解未知實際贈陳學士 - 尹志平 & 2) 憶王孫 自詠 - 王丹桂 |
| N475 | 道教詩文作品朗誦 | 粤語組 | 男女皆可 | 小學一至三年級 | 1) 旅邸睡起 - 白玉蟾 & 2) 山居 - 祁志誠 |
| N476 | 幼兒獨誦 | 粤語組 | 男女皆可 | 只限五歲或以上 (2019 年 12 月 31 日或之前出生) 就讀幼稚園的兒童參加 | 五隻小老鼠 - 陳淑安 ( *錄影模式 ) |
| N478 | 幼兒獨誦 | 普通話組 | 男女皆可 | 只限五歲或以上 (2019 年 12 月 31 日或之前出生) 就讀幼稚園的兒童參加 | 五隻小老鼠 - 陳淑安 ( *錄影模式 ) |
| N479 | 歌詞朗誦 | 粤語組 | 男女皆可 | 中學四至六年級 | 祈望 - 林子祥曲 潘偉源詞 |
| N480 | 歌詞朗誦 | 粤語組 | 男女皆可 | 中學一至三年級 | 幸運是我 - 顧嘉煇曲 鄭國江詞 |
| N481 | 歌詞朗誦 | 粤語組 | 男女皆可 | 小學組 | 生命彩虹 - 鄧文傑曲 鄭國江詞 |
2026 Speech Festival English Syllabus
Please read the Rules and Regulations carefully before enrolment to the Speech Festival.
| Class | Class Code | Ope / Non-Open | Age or Grade | Boys / Girls | Title | Book | |
| For complete syllabus listing, please visit HKSMSA's Website | |||||||
| solo verse speaking | N1 | Open | Ages 5 & 6 | Boys and Girls | Hiding by Coral Rumble (* Video Submission ) | The Works Key Stage 1 – Chosen by Pie Corbett, page 153 | |
| First line: Behind this tree | Last line: So I can fit in. | ||||||
| solo verse speaking | N2 | Open | Age 7 | Boys and Girls | Moving Away by Peter Dixon (* Video Submission ) | The Works Key Stage 1 – Chosen by Pie Corbett, page 165 | |
| First line: My best friend’s leaving school today, | Last line: I liked things as they were. | ||||||
| solo verse speaking | N3 | Open | Age 8 | Boys and Girls | Hello, Mrs Morley by Jan Dean | Read Me and Laugh: A Funny Poem for Every Day of the Year – Chosen by Gaby Morgan, page 137 | |
| First line: ello, Mrs Morley, as you can see | Last line: Next door have a Siamese – is it like that? | ||||||
| solo verse speaking | N4 | Open | Age 9 | Boys and Girls | Louder! by Roger Stevens | The Works – Chosen by Paul Cookson, page 410 | |
| First line: OK, Andrew, nice and clearly – off you go. | Last line: Now, Andrew, there’s no need to be silly. | ||||||
| solo verse speaking | N5 | Open | Age 10 | Boys and Girls | Missing Important Things by Peter Dixon | The Works Key Stage 1 – Chosen by Pie Corbett, pages 216-217 | |
| First line: I didn’t go to school this week | Last line: and stayed at home with Dad. | ||||||
| solo verse speaking | N6 | Open | Age 11 | Boys and Girls | Missing by Mike Johnson | The Works 2 – Chosen by Brian Moses and Pie Corbett, page 377 | |
| First line: please get in touch. | Last line: Please get in touch. | ||||||
| solo verse speaking | N7 | Open | Age 12 | Boys and Girls | Sorry Sorry Sorry by James Carter | Read Me and Laugh: A Funny Poem for Every Day of the Year – Chosen by Gaby Morgan, pages 380-381 | |
| First 2 lines: Sorry, I wasn’t listening to a single word you said | Last line: hang on – where’ve you gone? | ||||||
| solo verse speaking | N8 | Open | Age 13 | Boys and Girls | Come on in the Water’s Lovely by Gareth Owen | Read Me and Laugh: A Funny Poem for Every Day of the Year – Chosen by Gaby Morgan, pages 294-295 | |
| First 2 lines: Come on in the water’s lovely It isn’t really cold at all | Last line: And just as you jumped in! | ||||||
| solo verse speaking | N9 | Open | Age 14 | Boys and Girls | What Shall I Draw? by Helen Dunmore | The Works 2 – Chosen by Brian Moses and Pie Corbett, page 4 | |
| First line: Draw a house with four walls | Last line: you can draw your way home. | ||||||
| solo verse speaking | N10 | Open | Age 15 | Boys and Girls | Names by Brian Moses | The Works 2 – Chosen by Brian Moses and Pie Corbett, pages 374-375 | |
| First line: My name is ‘Couldn’t care less’, | Last line: IT’S ‘LISTEN OR YOU’LL BE SORRY’. | ||||||
| solo verse speaking | N11 | Open | Age 16 | Boys and Girls | The Housemaid’s Letter by Clare Bevan | The Works 3 – Chosen by Paul Cookson, pages 234-235 | |
| First line: Dear Mum, | Last 2 lines: Of your lost laughter, Mum. | ||||||
| solo verse speaking | N12 | Open | Age 17 | Boys and Girls | The Listeners by Walter de la Mare | The Works – Chosen by Paul Cookson, pages 457-458 | |
| First line: ‘Is there anybody there?’ said the Traveller, | Last line: When the plunging hoofs were gone. | ||||||
| Sonnet | N13 | Open | Age 14 and over | Boys and Girls | Spring by Gerard Manley Hopkins | The Poetry Store – Compiled by Paul Cookson, page 90 | |
| First line: Nothing is so beautiful as spring – | Last 2 lines: Most, O maid’s child, thy choice and worthy the winning. | ||||||
| solo verse speaking | U/E/K/Y 20 | Non-Open | P1&2 | Girls | Batgirl’s Disgrace by Andrea Shavick | Read Me and Laugh: A Funny Poem for Every Day of the Year – Chosen by Gaby Morgan, page 98 | |
| First line: Auntie Betty pulls her cloak on | Last line: Sorry. Batgirl’s in detention | ||||||
| solo verse speaking | U/E/K/Y 21 | Non-Open | P1&2 | Girls | Big Fat Budgie by Michaela Morgan | The Works Key Stage 1 – Chosen by Pie Corbett, page 193 | |
| First line: I’m a big fat budgie, | Last line: I don’t do a lot. | ||||||
| solo verse speaking | U/E/K/Y 22 | Non-Open | P1&2 | Girls | It’s Dark in Here by Shel Silverstein | Read Me and Laugh: A Funny Poem for Every Day of the Year – Chosen by Gaby Morgan, page 267 | |
| First line: I am writing these poems | Last line: And it’s rather dark in here. | ||||||
| solo verse speaking | U/E/K/Y 23 | Non-Open | P3 | Girls | True Confession by Irene Rawnsley | The Works – Chosen by Paul Cookson, pages 182-183 | |
| First line: On my birthday I wrapped | Last line: and I didn’t care. | ||||||
| solo verse speaking | U/E/K/Y 24 | Non-Open | P3 | Girls | What Are Little Girls … by Adrian Henri | The Works – Chosen by Paul Cookson, pages 161-162 | |
| First 3 lines: I’m not a sugar and spice | Last line: … Made Of. | ||||||
| solo verse speaking | U/E/K/Y 25 | Non-Open | P3 | Girls | I Did Not Eat the Goldfish by Roger Stevens | The Works 3 – Chosen by Paul Cookson, page 399 | |
| First 2 lines: I did not eat the goldfish It really was not me | Last line: Is hanging from my tail | ||||||
| solo verse speaking | U/E/K/Y 26 | Non-Open | P4 | Girls | My Pet Mouse by David Whitehead | The Works 2 – Chosen by Brian Moses and Pie Corbett, page 171 | |
| First line: I have a friendly little mouse, | Last line: That works my home computer. | ||||||
| solo verse speaking | U/E/K/Y 27 | Non-Open | P4 | Girls | Job Description by Daphne Kitching | The Works 2 – Chosen by Brian Moses and Pie Corbett, page 265 | |
| First line: A very special person | Last line: And whom no one ever pays. | ||||||
| solo verse speaking | U/E/K/Y 28 | Non-Open | P4 | Girls | It’s Not What I’m Used to by Jan Dean | The Works 3 – Chosen by Paul Cookson, page 414 | |
| First line: I don’t want to go to Juniors … | Last line: About ink. | ||||||
| solo verse speaking | U/E/K/Y 29 | Non-Open | P5 | Girls | When I’m Older by Lemn Sissay | Read Me and Laugh: A Funny Poem for Every Day of the Year – Chosen by Gaby Morgan, pages 338-339 | |
| First line: I’ll never pull my socks up. I’ll never fold my clothes | Last 2 lines: I’ll always answer the telephone with the word Goodbye! | ||||||
| solo verse speaking | U/E/K/Y 30 | Non-Open | P5 | Girls | And My Heart Soars by Chief Dan George | The Works 2 – Chosen by Brian Moses and Pie Corbett, page 286 | |
| First line: The beauty of the trees, | Last line: And my heart soars. | ||||||
| solo verse speaking | U/E/K/Y 31 | Non-Open | P5 | Girls | My Dad by Peter Dixon | The Works 6 – Chosen by Pie Corbett, page 194 | |
| First line: My dad’s not a teacher | Last line: and I am his child. | ||||||
| solo verse speaking | U/E/K/Y 32 | Non-Open | P6 | Girls | My Sister’s a Monster by Gillian Floyd | The Works 4 – Chosen by Pie Corbett and Gaby Morgan, pages 252-253 | |
| First line: My sister’s a monster ﹣ | Last line: That my sister’s a monster. | ||||||
| solo verse speaking | U/E/K/Y 33 | Non-Open | P6 | Girls | Get Your Things Together, Hayley by Frances Nagle | The Works 2 – Chosen by Brian Moses and Pie Corbett, page 312 | |
| First line: Mum said the dreaded words this morning: | Last line: I say it’s terribly lonely. | ||||||
| solo verse speaking | U/E/K/Y 34 | Non-Open | P6 | Girls | For Years I Asked Uncle Harry by Valerie Bloom | The Works 4 – Chosen by Pie Corbett and Gaby Morgan, pages 299-300 | |
| First line: For years I asked Uncle Harry | Last line: Since my Uncle Harry smiled. | ||||||
| solo verse speaking | U/E/K/Y 35 | Non-Open | S1 | Girls | Midnight Meeting by Mike Jubb | The Works 4 – Chosen by Pie Corbett and Gaby Morgan, page 21 | |
| First line: On soft, silent, padded paws, | Last line: he has the mouse. | ||||||
| solo verse speaking | U/E/K/Y 36 | Non-Open | S1 | Girls | Entering a Castle by Brian Moses | The Works 2 – Chosen by Brian Moses and Pie Corbett, page 75 | |
| First line: Don’t enter a castle quietly | Last line: it is yours for the taking! | ||||||
| solo verse speaking | U/E/K/Y 37 | Non-Open | S1 | Girls | My Stepdad Is an Alien by Roger Stevens | The Works 4 – Chosen by Pie Corbett and Gaby Morgan, pages 501-502 | |
| First line: I’d suspected for some time. | Last line: So, the tail gave it away, did it? | ||||||
| solo verse speaking | U/E/K/Y 38 | Non-Open | S2 | Girls | The First Bit by Coral Rumble | The Works 6 – Chosen by Pie Corbett, page 310 | |
| First 2 lines: I love the first bit of the morning, The bit of the day that no one has used yet, | Last line: By being so quiet. | ||||||
| solo verse speaking | U/E/K/Y 39 | Non-Open | S2 | Girls | At the End of a School Day by Wes Magee | The Works – Chosen by Paul Cookson, pages 196-197 | |
| First line: It is the end of a school day | Last line: on this warm afternoon in June. | ||||||
| solo verse speaking | U/E/K/Y 40 | Non-Open | S2 | Girls | Marmalade by Peter Dixon | The Works – Chosen by Paul Cookson, page 301 | |
| First line: He’s buried in the bushes, | Last line: and Marmalade was MINE. | ||||||
| solo verse speaking | U/E/K/Y 41 | Non-Open | S3 | Girls | Last Day by Clare Bevan | The Works 6 – Chosen by Pie Corbett, pages 51-52 | |
| First line: This class was special. | Last 2 lines: To walk away. This class was special. | ||||||
| solo verse speaking | U/E/K/Y 42 | Non-Open | S3 | Girls | Lost, One Siamese Cat by Moira Andrew | The Works 4 – Chosen by Pie Corbett and Gaby Morgan, pages 414-415 | |
| First line: Like a stripped-down | Last 2 lines: to Jones, number 76, PLEASE. | ||||||
| solo verse speaking | U/E/K/Y 43 | Non-Open | S3 | Girls | Stage Directions for Bluebells by Dinah Hendry | The Works – Chosen by Paul Cookson, pages 496-497 | |
| First line: OK. Everyone else off-stage – | Last 2 lines: We’ll call it ‘Late April in England, with bluebells’. | ||||||
| solo verse speaking | U/E/K/Y 44 | Non-Open | S4 | Girls | The Song of Wandering Aengus by W.B. Yeats | Read Me 2: A Poem for Every Day of the Year – Chosen by Gaby Morgan, pages 23-24 | |
| First line: I went out to the hazel wood, | Last line: The golden apples of the sun. | ||||||
| solo verse speaking | U/E/K/Y 45 | Non-Open | S4 | Girls | My First Dog by Patricia Leighton | The Works 2 – Chosen by Brian Moses and Pie Corbett, pages 355-356 | |
| First line: Prince was my dog, | Last line: to put them round. | ||||||
| solo verse speaking | U/E/K/Y 46 | Non-Open | S4 | Girls | Blackberry-Picking by Seamus Heaney | Opened Ground: Poems 1966–1996 by Seamus Heaney, page 8 | |
| First line: Late August, given heavy rain and sun | Last line: Each year I hoped they’d keep, knew they would not. (The line beneath the title not to be recited.) | ||||||
| solo verse speaking | U/E/K/Y 47 | Non-Open | S5 | Girls | One Moment in Summer by David Harmer | The Works 6 – Chosen by Pie Corbett, pages 47-48 | |
| First line: The house is dropping swallows | Last line: like an arrow. | ||||||
| solo verse speaking | U/E/K/Y 48 | Non-Open | S5 | Girls | Hide and Seek by Vernon Scannell | The Works 7 – Chosen by Brian Moses, pages 288-289 | |
| First line: Call out. Call loud: ‘I’m ready! Come and find me!’ | Last line: Yes, here you are. But where are they who sought you? | ||||||
| solo verse speaking | U/E/K/Y 49 | Non-Open | S6 | Girls | Follower by Seamus Heaney | Opened Ground: Poems 1966–1996 by Seamus Heaney, page 11 | |
| First line: My father worked with a horse-plough, | Last line: Behind me, and will not go away. | ||||||
| solo verse speaking | U/E/K/Y 50 | Non-Open | S6 | Girls | Dragon by Dave Calder | The Works 6 – Chosen by Pie Corbett, page 19 | |
| First 2 lines: The dragon’s face is wrinkled and the deep lines shape a mad grin | Last line: the dragon of good fortune dances forward with fierce glee. | ||||||
| solo verse speaking | U/E/K/Y 51 | Non-Open | P1&2 | Boys | Isn’t It Amazing? by Max Fatchen | Read Me 2: A Poem for Every Day of the Year – Chosen by Gaby Morgan, page 79 | |
| First line: Now isn’t it amazing | Last line: Now isn’t that amazing? | ||||||
| solo verse speaking | U/E/K/Y 52 | Non-Open | P1&2 | Boys | Talking to the Wall by John Foster | The Poetry Chest by John Foster, page 33 | |
| First line: My sister sits in her own world | Last line: She stamps her foot and shouts. | ||||||
| solo verse speaking | U/E/K/Y 53 | Non-Open | P3 | Boys | Gruesome by Roger McGough | The Puffin Book of Utterly Brilliant Poetry – Edited by Brian Patten, page 72 | |
| First line: I was sitting in the sitting room | Last line: The very next day he … | ||||||
| solo verse speaking | U/E/K/Y 54 | Non-Open | P3 | Boys | Spaghetti! Spaghetti! by Jack Prelutsky | The Puffin Book of Fantastic First Poems – Edited by June Crebbin, page 60 | |
| First 2 lines: Spaghetti! spaghetti! you’re wonderful stuff, | Last line: you’re wonderful stuff. (This poem consists of 3 stanzas.) | ||||||
| solo verse speaking | U/E/K/Y 55 | Non-Open | P4 | Boys | The Reader of This Poem by Roger McGough | The Puffin Book of Utterly Brilliant Poetry – Edited by Brian Patten, pages 74-75 | |
| First line: The reader of this poem | Last line: Knows how to take a joke! | ||||||
| solo verse speaking | U/E/K/Y 56 | Non-Open | P4 | Boys | Bedmobile by Gareth Owen | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, page 182 | |
| First line: I hear my grandad on the stair | Last line: Clenched between my teeth. | ||||||
| solo verse speaking | U/E/K/Y 57 | Non-Open | P5 | Boys | Lost Gloves by Gerard Benson | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, page 28 | |
| First line: They don’t come out till the winter months | Last line: And one grey woollen, rather too large. | ||||||
| solo verse speaking | U/E/K/Y 58 | Non-Open | P5 | Boys | Cow in the Cornflakes by Margot Henderson | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, page 106 | |
| First line: Mum, there’s a cow in my cornflakes. | Last line: And a whole sky in a feather. | ||||||
| solo verse speaking | U/E/K/Y 59 | Non-Open | P6 | Boys | ‘M’ by Graham Denton | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, page 48 | |
| First 2 lines: My younger brother is learning his letters with my mum. | Last line: | ||||||
| solo verse speaking | U/E/K/Y 60 | Non-Open | P6 | Boys | The Soldiers Came by John Agard | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, pages 8-9 | |
| First line: The soldiers came | Last line: like a shower of rain. | ||||||
| solo verse speaking | U/E/K/Y 61 | Non-Open | S1 | Boys | Laughter Rap in Plastic Town by John Agard | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, pages 10-11 | |
| First line: One day as I was passing through plastic town | Last line: I promise my magic will bring you right back. | ||||||
| solo verse speaking | U/E/K/Y 62 | Non-Open | S1 | Boys | Rain Falls Down by Margot Henderson | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, pages 104-105 | |
| First line: The clouds begin to rub together | Last line: and the SUN comes out again (This poem consists of 26 lines.) | ||||||
| solo verse speaking | U/E/K/Y 63 | Non-Open | S2 | Boys | Let No One Steal Your Dreams by Paul Cookson | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, page 42 | |
| First 2 lines: Let no one steal your dreams Let no one tear apart | Last line: Your only limit is the sky (This poem consists of 5 stanzas.) | ||||||
| solo verse speaking | U/E/K/Y 64 | Non-Open | S2 | Boys | The Boy Who Broke Things by Brian Patten | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, pages 187-188 | |
| First line: The boy kept breaking things. | Last line: And he wept, and he wept and he wept. | ||||||
| solo verse speaking | U/E/K/Y 65 | Non-Open | S3 | Boys | Limpet by Chrissie Gittins | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, page 83 | |
| First line: I am a Cornish limpet, | Last line: on the sea, my fears begin to fade. | ||||||
| solo verse speaking | U/E/K/Y 66 | Non-Open | S3 | Boys | Late Home by Gervase Phinn | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, pages 192-193 | |
| First 2 lines: And where have you been until this time? | Last line: I live next door. | ||||||
| solo verse speaking | U/E/K/Y 67 | Non-Open | S4 | Boys | I Remember, I Remember by Thomas Hood | The Works 7 – Chosen by Brian Moses, pages 3-4 | |
| First 2 lines: I remember, I remember, The house where I was born, | Last line: Than when I was a boy. | ||||||
| solo verse speaking | U/E/K/Y 68 | Non-Open | S4 | Boys | Sea Fever by John Masefield | A Poem for Every Summer Day – Edited by Allie Esiri, page 185 | |
| First 2 lines: I must go down to the seas again, to the lonely sea and the sky, | Last 2 lines: And quiet sleep and a sweet dream when the long trick’s over. (The lines beneath the title not to be recited.) | ||||||
| solo verse speaking | U/E/K/Y 69 | Non-Open | S5 | Boys | The First Men on the Moon by J. Patrick Lewis | A Poem for Every Summer Day – Edited by Allie Esiri, pages 158-159 | |
| First line: ‘The Eagle has landed!’ – Apollo 11 Commander | Last line: Will soon forget the sight they saw. (The lines beneath the title not to be recited.) | ||||||
| solo verse speaking | U/E/K/Y 70 | Non-Open | S6 | Boys | The Christmas Shed by Wes Magee | Michael Rosen’s A to Z: The Best Children’s Poetry from Agard to Zephaniah by Michael Rosen, pages 153-154 | |
| First line: It was late afternoon on Christmas Day | Last 3 lines: “Same time tomorrow?” “Yeah.” “See you.” | ||||||
| Solo Prose Speaking | N139 | Open | Age 5-6 | Boys & Girls | Horrid Henry: Secret Club by Francesca Simon | Story 2, Horrid Henry: Secret Club, pages 57-59 | |
| From: All was not well back at… | To: …Horrid Henry covered in cold MUDDY water. | ||||||
| Solo Prose Speaking | N140 | Open | Age 7-8 | Boys & Girls | Peter Pan by J. M. Barrie | Chapter 3, Come Away, Come Away!, page 27 | |
| From: ‘Tinker Bell,’ he called softly,... | To: …and he sat on the floor and cried. | ||||||
| Solo Prose Speaking | N141 | Open | Age 9 | Boys & Girls | The Wind in the Willows by Kenneth Grahame | Chapter 3, The Wild Wood, pages 54-55 | |
| From: The Mole fell backwards on the snow… | To: …as hard as you can, while I hammer!’ | ||||||
| Solo Prose Speaking | N142 | Open | Age 10 | Boys & Girls | George’s Marvellous Medicine by Roald Dahl | Grandma Gets the Medicine, pages 38-39 | |
| From: Grandma sat hunched in her chair... | To: …‘and I’ll pop it in.’ | ||||||
| Solo Prose Speaking | N143 | Open | Age 11 | Boys & Girls | Harry Potter and the Philosopher’s Stone by J.K. Rowling | Chapter 2, The Vanishing Glass, page 29 | |
| From: The snake suddenly opened its beady eyes…. | To: … YOU WON’T BELIEVE WHAT IT’S DOING!’ | ||||||
| Solo Prose Speaking | N144 | Open | Age 12 | Boys & Girls | The Boy in the Striped Pyjamas by John Boyne | Chapter 19, What Happened the Next Day, pages 212-213 | |
| From: Shmuel gathered himself very close to Bruno… | To: …persuaded him to let it go. | ||||||
| Solo Prose Speaking | N145 | Open | Age 13 | Boys & Girls | Cider with Rosie by Laurie Lee | Village School, pages 35-36 | |
| From: The morning came,... | To: …I ain’t going back there again!’ | ||||||
| Solo Prose Speaking | N146 | Open | Age 14 | Boys & Girls | The Happy Prince and Other Tales by Oscar Wilde | The Selfish Giant, pages 41-44 | |
| From: Every afternoon, as they were… | To: …the snow danced about through the trees. | ||||||
| Solo Prose Speaking | N147 | Open | Age 15 | Boys & Girls | Chinese Cinderella: The True Story of an Unwanted Daughter by Adeline Yen Mah | Chapter 14, Class President, pages 146-148 | |
| From: ‘Who are these little hooligans,’... | To: …They are not welcome!’ | ||||||
| Solo Prose Speaking | N148 | Open | Age 16 and over | Boys & Girls | Pride and Prejudice by Jane Austen | Chapter 59, page 426 | |
| From: When her mother went up to… | To: …‘I can think of nothing else! | ||||||
| Solo Prose Reading | U/E/K/Y 158 | Non-Open | Primary 1 and 2 | Girls | Horrid Henry: The Queen’s Visit by Francesca Simon | Story 4, Horrid Henry: The Queen’s Visit, pages 104-122 | |
| From: The Queen was coming to Henry’s school!... | To: …‘‘How lovely,’’ said the Queen. | ||||||
| Solo Prose Reading | U/E/K/Y 159 | Non-Open | Primary 3 and 4 | Girls | George’s Marvellous Medicine by Roald Dahl | Grandma, pages 2-8 | |
| From: George couldn’t help disliking Grandma.… | To: …chop chop, before it bites you.’ | ||||||
| Solo Prose Reading | U/E/K/Y 160 | Non-Open | Primary 5 and 6 | Girls | The Secret Garden by Frances Hodgson Burnett | Chapter 5, The Cry in the Corridor, pages 49-54 | |
| From: At first each day which passed by… | To: ...was novelty enough to attract her. | ||||||
| Solo Prose Reading | U/E/K/Y 161 | Non-Open | Secondary 1 | Girls | Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll | Through the Looking-Glass, and What Alice Found There, Chapter 9, Queen Alice, pages 220-222 | |
| From: ‘‘Well, this is grand!’’... | To: …the Queen exclaimed triumphantly. | ||||||
| Solo Prose Reading | U/E/K/Y 162 | Non-Open | Secondary 2 | Girls | The Story of Tracy Beaker by Jacqueline Wilson | Tracy Beaker’s Thumping Heart, pages 161-166 | |
| From: It all started on St Valentine’s Day.… | To: …not a pretty sight. | ||||||
| Solo Prose Reading | U/E/K/Y 163 | Non-Open | Secondary 3 | Girls | Artemis Fowl and the Eternity Code by Eoin Colfer | Part One: Attack, Chapter 1: The Cube, pages 5-11 | |
| From: Artemis Fowl was almost content.… | To: …of course, it’s completely wireless.’ | ||||||
| Solo Prose Reading | U/E/K/Y 164 | Non-Open | Secondary 4 | Girls | The Boy in the Striped Pyjamas by John Boyne | Chapter 3, The Hopeless Case, pages 21-29 | |
| From: Bruno was sure that it would have… | To: …exactly what Bruno had been talking about. | ||||||
| Solo Prose Reading | U/E/K/Y 165 | Non-Open | Secondary 5 | Girls | Alice’s Adventures in Wonderland and Through the Looking-Glass by Lewis Carroll | Alice’s Adventures in Wonderland, Chapter 7, A Mad Tea-Party, pages 60-63 | |
| From: There was a table set out… | To: …Half-past one, time for dinner!’’ | ||||||
| Solo Prose Reading | U/E/K/Y 166 | Non-Open | Secondary 6 | Girls | The Happy Prince and Other Tales by Oscar Wilde | The Nightingale and the Rose, pages 25-37 | |
| From: ‘She said that she would dance with... | To: …and began to read. | ||||||
| Solo Prose Reading | U/E/K/Y 167 | Non-Open | Primary 1 and 2 | Boys | The Twits by Roald Dahl | Chapter 8, The Funny Walking Stick; Chapter 9, Mrs Twit Has the Shrinks; Chapter 10, Mrs Twit Gets a Stretching, pages 28-42 | |
| From: To pay Mrs Twit back for… | To: …And that’s what gave Mr Twit his second nasty idea. | ||||||
| Solo Prose Reading | U/E/K/Y 168 | Non-Open | Primary 3 and 4 | Boys | The Witches by Roald Dahl | Chapter 3, How to Recognize a Witch, pages 28-36 | |
| From: The next evening,... | To: …‘It’s a fact of life.’ | ||||||
| Solo Prose Reading | U/E/K/Y 169 | Non-Open | Primary 5 and 6 | Boys | The Chronicles of Narnia: The Lion, the Witch and the Wardrobe by C. S. Lewis | Chapter 4, Turkish Delight, pages 40-45 | |
| From: ‘‘But what are you?’’... | To: …when you bring the others to visit me.’’ | ||||||
| Solo Prose Reading | U/E/K/Y 170 | Non-Open | Secondary 1 | Boys | The Wind in the Willows by Kenneth Grahame | Chapter 10, The Further Adventures of Toad, pages 183-189 | |
| From: A burst of laughter made him… | To: …And that’s my last word.’ | ||||||
| Solo Prose Reading | U/E/K/Y 171 | Non-Open | Secondary 2 | Boys | The Hundred-Mile An-Hour Dog by Jeremy Strong | Chapter 11, pages 103-109 | |
| From: ‘Walkies!’ I cried and dropped… | To: …jammed in the washing-machine. | ||||||
| Solo Prose Reading | U/E/K/Y 172 | Non-Open | Secondary 3 | Boys | Charlie and the Chocolate Factory by Roald Dahl | Chapter 17, Augustus Gloop Goes Up the Pipe, pages 144-152 | |
| From: When Mr Wonka turned round and saw… | To: …No one would buy it.’ | ||||||
| Solo Prose Reading | U/E/K/Y 173 | Non-Open | Secondary 4 | Boys | Oliver Twist by Charles Dickens | Chapter 2, pages 12-18 | |
| From: Oliver had not been within the walls… | To: …trade, business, or calling. | ||||||
| Solo Prose Reading | U/E/K/Y 174 | Non-Open | Secondary 5 | Boys | The Pearl by John Steinbeck | Chapter 5, pages 57-66 | |
| From: The late moon arose before... | To: …Go thou also with God.’’ | ||||||
| Solo Prose Reading | U/E/K/Y 175 | Non-Open | Secondary 6 | Boys | Animal Farm by George Orwell | Chapter 5, pages 33-38 | |
| From: As winter drew on Mollie became… | To: …who was speaking at the moment. | ||||||
| Public Speaking Solo | N192 | Open | Primary 5 and 6 | Boys & Girls | Topic : The Importance of Parents in Our Lives | Context : Public Speaking Competition | |
| Your Role : Psychologist in Family Dynamics | Target Audience : Students (and Parents) | ||||||
| Public Speaking Solo | N193 | Open | Secondary 1 and 2 | Boys & Girls | Topic : How Reading Changes the Way You Think | Context : Author’s Talk | |
| Your Role : Famous Writer | Target Audience : School Students | ||||||
| Public Speaking Solo | N194 | Open | Secondary 3 | Boys & Girls | Topic : How Social Media Algorithms Turn Minorities into Majorities | Context : A School Assembly | |
| Your Role : Sociologist and author on the subject | Target Audience : Teenagers | ||||||
| Public Speaking Solo | N195 | Open | Secondary 4 | Boys & Girls | Theme : The Relationship Between Money and Happiness (The title and content of the speech should be connected with the theme. Competitors may interpret the theme in any way they wish, but may not use the theme as the title of their speech. Competitors violating this rule will have their marks affected.) | Context : International Public Speaking Competition | |
| Your Role : Representative of Hong Kong | Target Audience : Representatives from other regions | ||||||
| Public Speaking Solo | N196 | Open | Secondary 5 | Boys & Girls | Theme : The Influence of Artificial Intelligence on Jobs in the Workplace (The title and content of the speech should be connected with the theme. Competitors may interpret the theme in any way they wish, but may not use the theme as the title of their speech. Competitors violating this rule will have their marks affected.) | Context : International Public Speaking Competition | |
| Your Role : Representative of Hong Kong | Target Audience : Representatives from other regions | ||||||
| Public Speaking Solo | N197 | Open | Secondary 6 & University/Post-secondary | Boys & Girls | Theme : Challenges and Responses to an Ageing Population (The title and content of the speech should be connected with the theme. Competitors may interpret the theme in any way they wish, but may not use the theme as the title of their speech. Competitors violating this rule will have their marks affected.) | Context : International Public Speaking Competition | |
| Your Role : Representative of Hong Kong | arget Audience : Representatives from other regions | ||||||
| Shakespeare Monologue | N212 | Open | Age 15 and over | Boys & Girls | (a) Henry V, Act 5, Scene 2 | Character: Henry From: Now, fie upon my false French!... To: ...wilt thou have me? | |
| (b) All’s Well that Ends Well, Act 1, Scene 3 | Character: Helen From: Then I confess,... To: …lives sweetly where she dies. | ||||||
| Shakespeare Monologue | N213 | Open | Ages 10 to 14 | Boys & Girls | (a) The Winter’s Tale, Act 3, Scene 3 | Character: Shepherd From: I would there were no age... To: …Whoa, ho, hoa! | |
| (b) Romeo and Juliet, Act 2, Scene 5 | Character: Juliet From: The clock struck nine... To: …O God, she comes! | ||||||
| Shakespeare Monologue | U/E/K/Y 214 | Non-Open | Age 15 and over | Boys & Girls | (a) Macbeth, Act 3, Scene 1 | Character: Macbeth From: Bring them before us…. To: …and stay there till we call.— | |
| (b) The Winter’s Tale, Act 3, Scene 2 | Character: Hermione From: Sir, spare your threats…. To: …Apollo be my judge! | ||||||
| Shakespeare Monologue | U/E/K/Y 215 | Non-Open | Ages 10 to 14 | Boys & Girls | (a) Romeo and Juliet, Act 3, Scene 3 | Character: Romeo From: ’Tis torture and not mercy…. To: …with that word ‘banishèd’? | |
| (b) The Merchant of Venice, Act 2, Scene 3 | Character: Jessica From: I am sorry thou wilt leave… To: …and thy loving wife. (Omit the lines of Lancelet.) | ||||||
| Solo Dramatic Performance | N216 | Open | Age 15 and over | Boys & Girls | 5mins | ||
| Solo Dramatic Performance | N217 | Open | Ages 13 and 14 | Boys & Girls | 4mins | ||
| Solo Dramatic Performance | N218 | Open | Ages 11 and 12 | Boys & Girls | 4mins | ||
| Solo Dramatic Performance | N219 | Open | Ages 9 and 10 | Boys & Girls | 3mins | ||
| Solo Dramatic Performance | N220 | Open | Ages 7 and 8 | Boys & Girls | 3mins | ||
| News Feature Presentation | N238 | Open | Secondary 1 and 2 | Boys & Girls | 2mins (video submission) | ||
| News Feature Presentation | N239 | Open | Secondary 3 and 4 | Boys & Girls | 2mins (video submission) | ||
| News Feature Presentation | N240 | Open | Secondary 5 and 6 | Boys & Girls | 2mins (video submission) |
LCM Speech Festival Turns 10 with Exciting New Categories!
We are thrilled to share the first details about the 2026 LCM Speech Festival, and this year’s event is set to be the biggest and most exciting one yet. Mark your calendars because the festival is celebrating its 10th Anniversary in a big way .
Whether your child is a first-time performer or a seasoned speaker, there’s something new and wonderful waiting for them this year. Here’s your first look at what’s new for the 10th Anniversary LCM Speech Festival.
🎉 Save the Date: 23-25 May 2026
The festival will be held over three days, from 23 to 25 May 2026. It’s the perfect opportunity for young performers to shine on stage .
If you have a little one who’s been waiting for their turn, the age requirement is simple: any child who will be aged 3 or above by 25 May 2026 is eligible to participate !
✨ What’s New for the 10th Anniversary?
To celebrate this incredible milestone, the organisers have introduced several brand-new categories to make the festival more inclusive and challenging than ever before. Here are the highlights:
1. Nursery Rhyme for 4-Year-Olds
While the youngest participants (aged 3) have always had a place in the festival, the 2026 event will now feature a dedicated Nursery Rhyme category for the 4-year-old age group . This is a fantastic, gentle introduction to the world of performance for our littlest stars, allowing them to build confidence with simple, fun rhymes.
2. Verse Speaking for Ages 11-12
Older primary school children now have a new platform to showcase their advanced skills. A Verse Speaking category has been added for the 11-12 age group . This allows pre-teens to delve into more complex and emotionally resonant poetry, honing their interpretative skills.
3. Public Speaking Expands to Secondary School!
This is a landmark addition for the festival. For the very first time, the Public Speaking category will include a Secondary School section . This is a major step forward, providing a vital and exciting platform for teenagers to develop and demonstrate their ability to formulate ideas, argue persuasively, and speak with confidence. It’s a skill that will benefit them immensely in their academic and professional futures.
Start Preparing!
With new categories and a celebratory atmosphere, the 10th Anniversary LCM Speech Festival promises to be an unforgettable experience for all young participants. It’s the perfect time to start exploring poems, practicing delivery, and building the confidence to take the stage.
We can’t wait to see the incredible talent on display in May 2026. Stay tuned for more updates, and happy practising!
Everything You Need to Know: The 2026 Cambridge Re:think Essay Competition
If you’re a young student with a passion for big ideas, critical thinking, and making your voice heard on a global stage, the 2026 Cambridge Re:think Essay Competition is your opportunity to shine.
Organized by the Cambridge Centre for International Research (CCIR), this prestigious annual contest invites students from around the world to engage with some of the most pressing and thought-provoking questions of our time. From the ethics of artificial intelligence to the future of democracy, Re:think challenges participants to move beyond simple answers and craft compelling, well-researched arguments.
With the 2026 competition now officially open, here is everything you need to know, including exciting new changes, this year’s essay prompts, and key dates to add to your calendar.
What’s New for 2026?
This year, the competition has expanded to welcome even more young thinkers. The most significant update is the introduction of a brand-new division:
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Junior Division: For students aged 11 to 13
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Senior Division: For students aged 14 to 18 (who have not yet begun undergraduate studies)
This change ensures that essays are evaluated fairly and age-appropriately, allowing younger students to develop their reasoning skills while maintaining the rigorous standards the competition is known for.
There’s also a very special reason to aim for a top spot this year. The 2026 Awards Ceremony will feature a keynote speech from a true giant of science: Dr. Barry C. Barish, the 2017 Nobel Prize Laureate in Physics. Imagine having the chance to hear from—and perhaps even meet—a Nobel winner at the historic King’s College, Cambridge.
The 2026 Essay Prompts
Choose one prompt from your division that sparks your curiosity. Each is designed to encourage deep thinking and original analysis.
Key Dates for Your Diary
Planning ahead is crucial. Mark these important deadlines:

Key Requirements & How to Enter
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Cost: The competition is completely free to enter.
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Format: Essays must be no more than 2,000 words (this does not include footnotes or the bibliography).
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Citation: You must cite all your sources using the MLA 8th edition format.
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Originality: Your work must be your own. The use of AI writing assistants and plagiarism are strictly prohibited. All submissions will be checked.
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Submission: Submit your essay as a PDF through the official CCIR portal. Be sure to remove your name and any personal information from the document to ensure a fair, anonymous review.
What Can You Win?
Prizes are awarded separately for each division.
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Gold, Silver, Bronze Awards: 30 global winners (10 per medal) receive cash prizes, scholarships to CCIR Academy, and an invitation to the Cambridge awards ceremony.
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Special Prizes (Logos, Pathos, Ethos): Three additional winners are recognized for Best Argument, Best Writing, and Best Research, each receiving a cash prize and a scholarship.
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Honourable Mention: Awarded to the top 10% of participants. These students also receive an invitation to the ceremony in Cambridge.
Ready to Re:think?
The Cambridge Re:think Essay Competition is more than just a contest. It’s a chance to develop university-level skills, earn international recognition, and join a global community of young leaders. Whether you’re in the Junior or Senior Division, this is your opportunity to explore an idea you’re passionate about and share your perspective with the world.
Start planning your essay today. We can’t wait to read what you have to say.
2026 HIR Writing Contest Update: Now Open to Junior Students!
Big News for Young Writers! 🎉
The Harvard International Review Academic Writing Contest has expanded for 2026—and we’re excited to share what’s new!
What’s New in 2026?
Junior Division Added!
For the first time, students in 7th and 8th grade can participate! The contest now offers two divisions:
| Division | Grades | 2026 Topic Focus |
|---|---|---|
| Junior | Year 7-8 | Inventions that Changed How We Live |
| Senior | Year 9-12 | Choose one: • Theme A: Global Culture in the Digital Era • Theme B: Security in a Multipolar World • Theme C: Technology, Innovation, and Power |
This is a wonderful opportunity for younger students to develop research and writing skills while exploring topics that matter to them!
📅 2026 Submission Cycles
| Cycle | Article Submission Deadline | HIR Defense Day |
|---|---|---|
| Spring 2026 | May 31, 2026 | June 29, 2026 |
| Summer 2026 | August 31, 2026 | October 5, 2026 |
| Fall/Winter 2026 | January 2, 2027 | February 5, 2027 |
Registration and payment must be completed before submitting your article.
🛡️ What is HIR Defense Day?
Students selected as finalists are invited to a virtual event where they deliver a 15-minute presentation of their article. Following the presentation, students participate in an oral defense, answering questions from Harvard International Review judges. This process allows students to demonstrate their depth of understanding, critical thinking, and authenticity in real-time.
Prizes & Recognition
| Award | Recognition |
|---|---|
| Certificate of Completion | All students who submit an article |
| Commendation Prize | HIR Certificate |
| Outstanding Writing Content / Style Prize | HIR Certificate |
| High Commendation Prize | HIR Certificate |
| 🥉 Bronze Medal | HIR Certificate + name listed on HIR website (global top 20%) |
| 🥈 Silver Medal | HIR Certificate + name listed on HIR website (global top 10%) |
| 🥇 Gold Medal | HIR Certificate + name listed on HIR website (global top 3%) |
Quick Reminders
✅ Global perspective required (not U.S.-focused)
✅ No AI tools allowed—strictly enforced
✅ All claims must be cited with hyperlinks
✅ Follow AP Style guidelines
Ready to Learn More?
Preparation support: Blooming Talents Education Centre offers classes to help students build confidence and skills
John Locke Essay Competition 2026: What’s New?
John Locke Essay Competition 2026: What’s New?
From brand-new subject categories to a completely overhauled timeline and a revised stance on artificial intelligence, the 2026 competition looks quite different from previous years. Whether you’re a seasoned participant or considering entering for the first time, here is everything you need to know about the key changes.
At a Glance: What’s New for 2026?
| Feature | 2026 Competition (The Big Changes) | 2025 Competition |
|---|---|---|
| Subject Categories | 10 categories – Added Public Policy, International Relations, and Science & Technology. | 7 categories |
| Junior Category | Integrated. Juniors choose from the same 30 questions as Seniors but are judged separately. | Separate, simpler questions for Juniors. |
| Registration Dates | Earlier: February 2 – March 31 | April 1 – May 31 |
| Submission Deadline | Earlier: May 31 | June 30 |
| Shortlist Date | Earlier: July 7 | July 31 |
| AI Policy | Permitted, with caution. Allowed, but the essay must reflect the student's original voice. | AI tools strictly banned. |
| Prizes | Restructured: 6 prizes per subject (3 for Juniors, 3 for Seniors in each of the 10 categories). | 3 prizes per subject + 3 for Junior. |
A Closer Look at the 2026 Revisions
1. Three New Subject Categories
- Public Policy
- International Relations
- Science & Technology
2. A New Structure for the Junior Prize
3. The Entire Timeline Has Moved Forward
- Registration Opens: February 2, 2026
- Registration Deadline: March 31, 2026
- Submission Deadline: May 31, 2026
- Shortlist Announced: July 7, 2026
4. A Balanced Approach to AI
5. Clarified Submission Rules
- One per category: You may enter multiple categories, but you can only submit one essay per subject.
- Late fees: If you miss the May 31 deadline and late submissions are open, the fee will be charged per contestant, not per essay.
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Final Thoughts
Ready to start? Your first step is clear: mark your calendar for February 2, 2026. Use the extra time to explore the new categories and start brainstorming early.
Celebrating Excellence: Two HIR Award Winners!
We are incredibly proud to announce that two Blooming Talents Education Centre students have been awarded the Outstanding Writing Style Prize in the 2025 Harvard International Review Academic Writing Contest! 🏆✨
This prestigious recognition highlights their dedication to research, clarity, and crafting nuanced arguments on global issues. Their hard work and unique voices truly stood out among international peers.
While every student’s success is their own, we are honored to have supported their journey through our competition preparation classes—helping them build the confidence and skills to express their ideas effectively.
Congratulations to our award winners! Your voices matter, and we can’t wait to see where your writing takes you next.
2025 Speech Festival English Syllabus
Please read the Rules and Regulations carefully before enrolment to the Speech Festival.
| Class | Class Code | Ope / Non-Open | Age or Grade | Boys / Girls | Title | Book |
| For complete syllabus listing, please visit HKSMSA's Website | ||||||
| solo verse speaking | N1 | Open | Ages 5 & 6 | Boys and Girls | I Like Cabbage by John Kitching (* Video Submission ) | Twinkle Twinkle Chocolate Bar, page 21 |
| First line: I like eating cabbage, | Last line: Is sausages with mustard. |
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| solo verse speaking | N2 | Open | Age 7 | Boys and Girls | Dorothy Porridge by Richard Edwards (* Video Submission ) | The Puffin Book of Twinkle Twinkle Chocolate Bar , page 15 |
| First line: Dorothy Porridge is wearing a lettuce | Last line: And nobody quite knows why. |
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| solo verse speaking | N3 | Open | Age 8 | Boys and Girls | Plum by Tony Mitton | The Works 5 , page 199 |
| First line: Don’t be so glum, | Last line: a whole new tree. |
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| solo verse speaking | N4 | Open | Age 9 | Boys and Girls | Maggie and Milly and Molly and May by e. e. cummings | The Works 5, pages 65 |
| First line: Maggie and milly and molly and may | Last line: it’s always ourselves we find in the sea |
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| solo verse speaking | N5 | Open | Age 10 | Boys and Girls | Bookworms by Roger McGough | Roger McGough 80 Poems, page 43-44 |
| First line: Bookworms are the cleverest | Last line: curl up, and eat ‘The End’. |
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| solo verse speaking | N6 | Open | Age 11 | Boys and Girls | Imaginary Friend by Roger McGough | Roger McGough 80 Poems, pages 92-93 |
| First line: I’ve got a friend | Last line: un-imaginary friend. |
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| solo verse speaking | N7 | Open | Age 12 | Boys and Girls | The Whistler by June Crebbin | The Works 5, page 64-65 |
| First line: My little brother is almost six, | Last 2 lines: On and on . . . and on . . .‘Yes, please!’ |
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| solo verse speaking | N8 | Open | Age 13 | Boys and Girls | June 1963 by Jan Dean | The Big Amazing Poetry Book, pages 72-73 |
| First line: Valentina smiles | Last line: and smiles. |
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| solo verse speaking | N9 | Open | Age 14 | Boys and Girls | The Railway Children by Seamus Heaney | The Works 5 , page 121 |
| First line: When we climbed the slopes of the cutting | Last line: We could stream through the eye of a needle. |
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| solo verse speaking | N10 | Open | Age 15 | Boys and Girls | The Black Cat’s Conversation by Elizabeth Jennings | The Works 5, page 145-146 |
| First line: Do not suppose, | Last line: And I always win. |
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| solo verse speaking | N11 | Open | Age 16 | Boys and Girls | About Friends by Brian Jones | The Works 5 , pages 148 |
| First line: The good thing about friends | Last line: I understood then what the river meant by flowing. |
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| solo verse speaking | N12 | Open | Age 17 | Boys and Girls | The Harvest Moon by Ted Hughes | The Works 5 , page 133-134 |
| First line: The flame-red moon, the harvest moon, | Last line: Sweat from the melting hills. |
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| Sonnet | N13 | Open | Age 14 and over | Boys and Girls | Sheep in Winter by John Clare | The Works 5, page 49 |
| First line: The sheep get up and make their many tracks | Last line: And shun the hovel where they might be warm. |
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| solo verse speaking | U/E/K/Y 20 | Non-Open | P1&2 | Girls | Snowball by Shel Silverstein | Read Me 1 - A Poem for Every Day of the Year, page 438 |
| First line: I made myself a snowball | Last line: But first – it wet the bed. |
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| solo verse speaking | U/E/K/Y 21 | Non-Open | P1&2 | Girls | Little Silver Aeroplane – Anonymous | Read Me 2 - A Poem for Every Day of the Yearr, page 226 |
| First line: Little silver aeroplane | Last line: Please take me. |
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| solo verse speaking | U/E/K/Y 22 | Non-Open | P1&2 | Girls | Who Has Seen the Wind? by Christina Rossetti | A Poem for Every Autumn Day, page 166 |
| First 2 lines: Who has seen the wind? Neither I nor you: | Last line: The wind is passing by. |
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| solo verse speaking | U/E/K/Y 23 | Non-Open | P3 | Girls | Give Yourself a Hug by Grace Nichols | Read Me 1 - A Poem for Every Day of the Year, page 325 |
| First line: Give yourself a hug | Last line: like me.’ |
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| solo verse speaking | U/E/K/Y 24 | Non-Open | P3 | Girls | Shaggy Dogs by Richard Edwards | The Works Key Stage 1, page 186-187 |
| First line: Two sheepdogs in a field | Last line: In the warm blue weather. |
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| solo verse speaking | U/E/K/Y 25 | Non-Open | P3 | Girls | Our Cats by Wes Magee | The Works Key Stage 1, page 188-189 |
| First line: Our cats stay out all night | Last line: they’re out there in the darkness, creeping. |
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| solo verse speaking | U/E/K/Y 26 | Non-Open | P4 | Girls | It’s Spring by John Foster | The Works, page 183 |
| First line: It’s spring | Last line: Then dances in the sunlight. |
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| solo verse speaking | U/E/K/Y 27 | Non-Open | P4 | Girls | Postcard by Tony Langham | The Works Key Stage 1 , page 163 |
| First line: I didn’t want to come to Spain, | Last line: Adios! |
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| solo verse speaking | U/E/K/Y 28 | Non-Open | P4 | Girls | Samantha Is Sobbing by Gareth Owen | The Works Key Stage 1 page 151-152 |
| First line: Samantha is sobbing | Last line: Beans and margarine. |
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| solo verse speaking | U/E/K/Y 29 | Non-Open | P5 | Girls | Colouring in by Jan Dean | The Big Amazing Poetry Book page 74 |
| First line: And staying inside the lines | Last line: Part of the place. |
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| solo verse speaking | U/E/K/Y 30 | Non-Open | P5 | Girls | Someone by Walter de la Mare | A Poem for Every Autumn Day, page 132 |
| First line: Someone came knocking | Last line: At all, at all, at all. |
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| solo verse speaking | U/E/K/Y 31 | Non-Open | P5 | Girls | This Is Where… by James Carter | The Big Amazing Poetry Book, page141 |
| First line: …I learned to be. | Last line: And this is where? My primary school. |
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| solo verse speaking | U/E/K/Y 32 | Non-Open | P6 | Girls | The Cheer-up Song by John Whitworth | The Works Key Stage 1, page 154-155 |
| First line: No one likes a boaster | Last line: Yes it’s me! ME! MEEE! |
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| solo verse speaking | U/E/K/Y 33 | Non-Open | P6 | Girls | Cobweb Morning by June Crebbin | The Puffin Book of Fantastic First Poems, pages 74 |
| First line: On a Monday morning | Last line: The cobweb morning. |
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| solo verse speaking | U/E/K/Y 34 | Non-Open | P6 | Girls | Something Told the Wild Geese by Rachel Field | A Poem for Every Autumn Day, page 70 |
| First line: Something told the wild geese | Last line: Winter in their cry. |
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| solo verse speaking | U/E/K/Y 35 | Non-Open | S1 | Girls | Oh, Ozzie! by Richard Edwards | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 62 |
| First line: ‘Polar bear in the garden!’ yelled Ozzie, | Last line: Poor Ozzie. |
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| solo verse speaking | U/E/K/Y 36 | Non-Open | S1 | Girls | Greedy Dog by James Hurley | 100 Best Poems for Children, page 53 |
| First line: This dog will eat anything. | Last line: Now what is wrong with those, I wonder. |
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| solo verse speaking | U/E/K/Y 37 | Non-Open | S1 | Girls | Billy McBone by Allan Ahlberg | Read Me 1 - A Poem for Every Day of the Year, page142-143 |
| First 3 line: Billy McBone Had a mind of his own, Which he mostly kept under his hat. | Last line: Bill’s thoughts were off wandering free. |
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| solo verse speaking | U/E/K/Y 38 | Non-Open | S2 | Girls | The Garden’s Full of Witches by Colin McNaughton | Read Me 1 - A Poem for Every Day of the Year , page 436-437 |
| First line: Mum! The garden’s full of witches! | Last line: Oh, you always miss the witches! |
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| solo verse speaking | U/E/K/Y 39 | Non-Open | S2 | Girls | Homework! Oh, Homework! by Jack Prelutsky | 100 Best Poems for Children , page 89 |
| First 2 line: Homework! Oh, homework! I hate you! You stink! | Last line: I hate you! You stink! |
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| solo verse speaking | U/E/K/Y 40 | Non-Open | S2 | Girls | The Fear by Andrew Young | 100 Best Poems for Children, page 128 |
| First line: How often I turn round | Last line: I trespass the earth. |
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| solo verse speaking | U/E/K/Y 41 | Non-Open | S3 | Girls | The Rival Arrives by Brian Patten | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 45 |
| First line: Tom, take the baby out the fridge | Last line: For the wicked things you do. |
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| solo verse speaking | U/E/K/Y 42 | Non-Open | S3 | Girls | My Mother Saw a Dancing Bear by Charles Causley | Read Me 1 - A Poem for Every Day of the Year, page 355-356 |
| First line: My mother saw a dancing bear | Last line: Far-distant forests, and the snow. |
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| solo verse speaking | U/E/K/Y 43 | Non-Open | S3 | Girls | Twin Trouble by Anne Harvey | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 378-379 |
| First line: Una and Ursula, | Last line: Identical twins!’ |
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| solo verse speaking | U/E/K/Y 44 | Non-Open | S4 | Girls | Literacy Hour by Clare Bevan | Read Me and Laugh - A Funny Poem for Every Day of the Year, pages 90-91 |
| First line: So let’s make this clear, | Last 3 line: Someday, Sometime, Soon.) |
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| solo verse speaking | U/E/K/Y 45 | Non-Open | S4 | Girls | Moonlit Apples by John Drinkwater | Read Me 1 - A Poem for Every Day of the Year, pages 373 |
| First line: At the top of the house the apples are laid in rows, | Last line: On the moon-washed apples of wonder. |
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| solo verse speaking | U/E/K/Y 46 | Non-Open | S4 | Girls | The Word Party by Richard Edwards | 100 Best Poems for Children , pages 36 |
| First line: Loving words clutch crimson roses, | Last lines: Snap! The dictionary closes. |
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| solo verse speaking | U/E/K/Y 47 | Non-Open | S5 | Girls | Mrs Goodwin’s Part-time Job by Marian Swinger | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 46-47 |
| First line: It was just a part-time job | Last line: ‘what a boring life.’ |
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| solo verse speaking | U/E/K/Y 48 | Non-Open | S5 | Girls | The Hippopotamus Song by Michael Flanders | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 176-177 |
| First line: A bold Hippopotamus was standing one day | Last line: In glorious mud! |
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| solo verse speaking | U/E/K/Y 49 | Non-Open | S6 | Girls | Angels by Jan Dean | Read Me 1 - A Poem for Every Day of the Year , pages 442-443 |
| First line: We are made from light. | Last line: Once, we sang. |
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| solo verse speaking | U/E/K/Y 50 | Non-Open | S6 | Girls | Mid-Term Break by Seamus Heaney | 100 Best Poems for Children, page 45 |
| First line: I sat all morning in the college sick-bay | Last line: A four foot box, a foot for every year. |
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| solo verse speaking | U/E/K/Y 51 | Non-Open | P1&2 | Boys | A Baby Sardine by Spike Milligan | Read Me and Laugh - A Funny Poem for Every Day of the Year , pages 50 |
| First line: A baby sardine | Last line: ‘It’s only a tin full of people.’ |
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| solo verse speaking | U/E/K/Y 52 | Non-Open | P1&2 | Boys | In Trouble Again by Susan Quinn | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 53 |
| First line: Will you PLEASE | Last line: PLEASE just act your age! |
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| solo verse speaking | U/E/K/Y 53 | Non-Open | P3 | Boys | Sounds by Irene Rawnsley | The Works, page 170 |
| First line: The tiniest sound in the world must be | Last line: our baby chuckling when she plays with me! |
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| solo verse speaking | U/E/K/Y 54 | Non-Open | P3 | Boys | The Cow by Robert Louis Stevenson | Read Me 1 - A Poem for Every Day of the Year, page 120 |
| First lines: The friendly cow, all red and white, | Last lines: And eats the meadow flowers. |
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| solo verse speaking | U/E/K/Y 55 | Non-Open | P4 | Boys | The Sweet by Tony Bradman | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 375 |
| First line: I’ve found a sweet | Last line: Pop it in. |
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| solo verse speaking | U/E/K/Y 56 | Non-Open | P4 | Boys | Experiment by Danielle Sensier | Read Me 1 - A Poem for Every Day of the Year, page 15 |
| First line: at school we’re doing growing things | Last line: I call it mean. |
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| solo verse speaking | U/E/K/Y 57 | Non-Open | P5 | Boys | The Cod by Lord Alfred Douglas | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 149 |
| First line: There’s something very strange and odd | Last line: He rather gets upon your nerves. |
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| solo verse speaking | U/E/K/Y 58 | Non-Open | P5 | Boys | On Top of Spaghetti – Anonymous | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 207 |
| First line: On top of spaghetti, all covered with cheese, | Last line: Hold on to your meatball, and don’t ever sneeze. |
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| solo verse speaking | U/E/K/Y 59 | Non-Open | P6 | Boys | My Old Man by Angela Topping | Read Me and Laugh - A Funny Poem for Every Day of the Year , page 332-333 |
| First line: My old man’s a pilot | Last line: They’d scream and scream and scream. |
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| solo verse speaking | U/E/K/Y 60 | Non-Open | P6 | Boys | Daddy Fell into the Pond by Alfred Noyes | Read Me and Laugh - A Funny Poem for Every Day of the Year, page 124 |
| First line: Everyone grumbled. The sky was grey. | Last 2 line: When Daddy fell into the pond! |
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| solo verse speaking | U/E/K/Y 61 | Non-Open | S1 | Boys | Shadow Collector by Peter Dixon | The Works Key Stage 1, pages 152-153 |
| First lines: On summer afternoons | Last line: And I found it on a palace wall. |
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| solo verse speaking | U/E/K/Y 62 | Non-Open | S1 | Boys | Reading Round the Class by Gervase Phinn | The Works 4 , pages 397 |
| First line: On Friday we have reading round the class. | Last line: And she wonders why I don’t like books. |
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| solo verse speaking | U/E/K/Y 63 | Non-Open | S2 | Boys | New School by Kevin McCann | The Works, page 186-187 |
| First 3 line: In the playground corner I stand and see: Girls with skipping ropes, | Last line: I could just go home. |
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| solo verse speaking | U/E/K/Y 64 | Non-Open | S2 | Boys | Beside the Sea-Side by David Orme | The Big Amazing Poetry Book , page 464 |
| First lines: Oh I do like to be beside the sea-side, | Last 3 line: You’ll have a lovely time if you hold your nose Beside the sea-side Beside the sea. |
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| solo verse speaking | U/E/K/Y 65 | Non-Open | S3 | Boys | An Attempt at Unrhymed Verse by Wendy Cope | A Poem for Every Autumn Day, page 21 |
| First line: People tell you all the time, | Last 2 line: ’Specially when you get it more or less the way you want it. |
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| solo verse speaking | U/E/K/Y 66 | Non-Open | S3 | Boys | Julius Caesar translated from the Latin by Roger Stevens | The Works, page 360-361 |
| First 2 line: Entry for March 15th Dear Diary, | Last line: And today I’ll stay at home. |
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| solo verse speaking | U/E/K/Y 67 | Non-Open | S4 | Boys | Harriet Tubman by Eloise Greenfield | A Poem for Every Autumn Day, pages 48 |
| First line: Harriet Tubman didn’t take no stuff | Last 2 line: And didn’t stay one either And didn’t stay one either |
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| solo verse speaking | U/E/K/Y 68 | Non-Open | S4 | Boys | Does it Matter? by Siegfried Sassoon | A Poem for Every Autumn Day, page 207 |
| First line: Does it matter? – losing your legs? | Last line: And no one will worry a bit. |
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| solo verse speaking | U/E/K/Y 69 | Non-Open | S5 | Boys | My Boy Jack by Rudyard Kipling | A Poem for Every Autumn Day, page 76 |
| First line: ‘Have you news of my boy Jack?’ | Last lines: And gave to that wind blowing and that tide! |
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| solo verse speaking | U/E/K/Y 70 | Non-Open | S6 | Boys | El Alamein by John Jarmain | A Poem for Every Autumn Day, pages 149-150 |
| First line: There are flowers now, they say, at Alamein; | Last line: And find there – flowers. |
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| Solo Prose Speaking | N139 | Open | Age 5-6 | Boys & Girls | Michael Rosen’s Sticky McStickstick by Michael Rosen(* Video Submission Mode ) | Pages 18-21 |
| From: One day a man came and said... | To: ...I felt that I had deserted him. |
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| Solo Prose Speaking | N140 | Open | Age 7-8 | Boys & Girls | Scary Stories for 7 Year Olds chosen by Helen Paiba(* Video Submission Mode ) | Gobbleguts, pages 30-31 |
| From: The last two children left in… | To: …“Now, here’s my dinner for today,” he said. |
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| Solo Prose Speaking | N141 | Open | Age 9 | Boys & Girls | The Twits by Roald Dahl | Chapter 7, The Wormy Spaghetti, pages 25-27 |
| From: Mr Twit started eating,… | To: …and rocking with horrible laughter. |
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| Solo Prose Speaking | N142 | Open | Age 10 | Boys & Girls | Bill’s New Frock by Anne Fine | Chapter 1, A Really Awful Start, pages 18-19 |
| From: So far as Bill Simpson could... | To: …In this frock? |
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| Solo Prose Speaking | N143 | Open | Age 11 | Boys & Girls | Mr Stink by David Walliams | Chapter 15, Bath Time, pages 173-175 |
| From: When they’d got over their shock,… | To: …Ah! I am as clean as a whistle now!” |
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| Solo Prose Speaking | N144 | Open | Age 12 | Boys & Girls | Beowulf by Michael Morpurgo | Beowulf and Grendel, the Monster of the Night, pages 38-39 |
| From: There were, it was true, some envious... | To: …and with God’s help we shall achieve it.” |
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| Solo Prose Speaking | N145 | Open | Age 13 | Boys & Girls | Holes by Louis Sachar | Part One, You Are Entering Camp Green Lake, Chapter 24, pages 105-106 |
| From: The first time the water truck came,… | To: …Stanley didn’t say anything. |
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| Solo Prose Speaking | N146 | Open | Age 14 | Boys & Girls | The Breadwinner by Deborah Ellis | Chapter 7, pages 70-71 |
| From: She was looking the other way... | To: …“Read this,” he said. |
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| Solo Prose Speaking | N147 | Open | Age 15 | Boys & Girls | The Dare by John Boyne | Chapter 6, pages 48-49 |
| From: ‘Is he going to get better?’… | To: …uncertain what she could mean by this. |
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| Solo Prose Speaking | N148 | Open | Age 16 and over | Boys & Girls | All the Broken Places by John Boyne | Interlude, The Boy, Poland 1943, pages 260-261 |
| From: It was a few months later.… | To: …I can’t find him anywhere.’ |
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| Solo Prose Reading | U/E/K/Y 158 | Non-Open | Primary 1 and 2 | Girls | The Giraffe and the Pelly and Me by Roald Dahl | Pages 27-36 |
| From: At exactly that moment,… | To: …‘The ladder isn’t long enough!’ |
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| Solo Prose Reading | U/E/K/Y 159 | Non-Open | Primary 3 and 4 | Girls | The Magic Faraway Tree by Enid Blyton | Chapter 1, Rick Comes to Stay, pages 4-8 |
| From: ‘I expect I shall find it rather dull here… | To: …everyone had to help when they could. |
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| Solo Prose Reading | U/E/K/Y 160 | Non-Open | Primary 5 and 6 | Girls | A Series of Unfortunate Events (Book the Fourth) - The Miserable Mill by Lemony Snicket | Chapter 3, pages 32-43 |
| From: I’m sure you have heard it said… | To: …if their day was about to get even worse. |
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| Solo Prose Reading | U/E/K/Y 161 | Non-Open | Secondary 1 | Girls | Running Wild by Michael Morpurgo | Chapter 3, ‘‘No Leaves, Oona, I Can’t Eat Leaves’’, pages 57-62 |
| From: Only now did I understand what it was… | To: …I so wanted to believe that. |
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| Solo Prose Reading | U/E/K/Y 162 | Non-Open | Secondary 2 | Girls | All My Secrets by Sophie McKenzie | Chapter 4, pages 26-37 |
| From: Seconds later, I tell myself not to be so stupid.… | To: …‘Ok.’ I turn to Andrew. ‘Ok,’ I say. ‘I’ll go.’ |
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| Solo Prose Reading | U/E/K/Y 163 | Non-Open | Secondary 3 | Girls | The Breadwinner by Deborah Ellis | Chapter 6, pages 57-61 |
| From: They were going to turn her into a boy.… | To: …It didn’t seem important any more. |
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| Solo Prose Reading | U/E/K/Y 164 | Non-Open | Secondary 4 | Girls | The Dare by John Boyne | Chapter 7, pages 59-63 |
| From: By a quarter to nine we were eating… | To: …I nodded. ‘I was just coming,’ I said. |
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| Solo Prose Reading | U/E/K/Y 165 | Non-Open | Secondary 5 | Girls | The Pearl by John Steinbeck | Chapter 1, pages 6-9 |
| From: The sun was warming the brush house,… | To: …and the neighbors followed them. |
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| Solo Prose Reading | U/E/K/Y 166 | Non-Open | Secondary 6 | Girls | All the Broken Places by John Boyne | Part 2, Beautiful Scars, London 2022 / Sydney 1952, Chapter 18, pages 224-228 |
| From: ‘And you weren’t arrested?’… | To: …You wanted that too, didn’t you?’ |
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| Solo Prose Reading | U/E/K/Y 167 | Non-Open | Primary 1 and 2 | Boys | The Giraffe and the Pelly and Me by Roald Dahl | Pages 40-48 |
| From: At once the Pelly flew down… | To: …Its neck is its proudest possession. |
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| Solo Prose Reading | U/E/K/Y 168 | Non-Open | Primary 3 and 4 | Boys | The Magic Faraway Tree by Enid Blyton | Chapter 10, A Few More Adventures, pages 86-90 |
| From: Everyone was very pleased to be… | To: …from one minute to the next!’ |
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| Solo Prose Reading | U/E/K/Y 169 | Non-Open | Primary 5 and 6 | Boys | The Boy in the Striped Pyjamas by John Boyne | Chapter 15, Something He Shouldn’t Have Done, pages 161-172 |
| From: For several weeks the rain was on and off… | To: …Why does he say you’re his friend?’ |
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| Solo Prose Reading | U/E/K/Y 170 | Non-Open | Secondary 1 | Boys | Running Wild by Michael Morpurgo | Chapter 5, A Feast of Figs, pages 152-156 |
| From: The orang-utan was looking up at me all the time… | To: …Then I remember nothing. |
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| Solo Prose Reading | U/E/K/Y 171 | Non-Open | Secondary 2 | Boys | Beowulf by Michael Morpurgo | Beowulf and Grendel, the Monster of the Night, pages 48-54 |
| From: How Grendel longed to get out,… | To: …had spread throughout the land. |
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| Solo Prose Reading | U/E/K/Y 172 | Non-Open | Secondary 3 | Boys | Harry Potter and the Prisoner of Azkaban by J. K. Rowling | Chapter 20, The Dementor’s Kiss, pages 406-409 |
| From: But then, out of the darkness, they heard… | To: …and his head hit the ground as he fainted. |
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| Solo Prose Reading | U/E/K/Y 173 | Non-Open | Secondary 4 | Boys | The Dare by John Boyne | Chapter 8, pages 68-72 |
| From: ‘That afternoon,’ she went on.… | To: …I ran. |
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| Solo Prose Reading | U/E/K/Y 174 | Non-Open | Secondary 5 | Boys | The Pearl by John Steinbeck | Chapter 4, pages 44-49 |
| From: Kino stepped with dignity out of the house,… | To: …They have not come to a price.” |
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| Solo Prose Reading | U/E/K/Y 175 | Non-Open | Secondary 6 | Boys | Stone Cold by Robert Swindells | Daily Routine Orders 11, pages 81-88 |
| From: Laughing Boy One.… | To: …‘I haven’t seen him since Thursday.’ |
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| Public Speaking Solo | N192 | Open | Primary 5 and 6 | Boys & Girls | Topic: Why Reading Books is So Much Fun (2mins) | Context: World Book Day |
| Your Role : Class Member | Target Audience: Class Peers |
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| Public Speaking Solo | N193 | Open | Secondary 1 and 2 | Boys & Girls | Topic: The Power of Music (3mins) | Context : School Open Day for Newcomers |
| Your Role : Student Leader | Target Audience: Parents and Prospective Students Considering Pursuing a Music Module |
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| Public Speaking Solo | N194 | Open | Secondary 3 and 4 | Boys & Girls | Topic: The Importance of Recycling (4mins) | Context: A School Study Group Project |
| Your Role : Group Tutor | Target Audience: Secondary 1-2 students |
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| Public Speaking Solo | N195 | Open | Secondary 5 | Boys & Girls | Theme : : The power to question is the basis of all human progress (5mins) | Context : International Public Speaking Competition |
| Your Role : Representative of Hong Kong | Target Audience: Representatives from other countries |
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| Public Speaking Solo | N196 | Open | Secondary 6 & University/Post-secondary | Boys & Girls | Theme : The power to question is the basis of all human progress (5mins) | Context : International Public Speaking Competition |
| Your Role : Representative of Hong Kong | Target Audience : Representatives from other countries |
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| Shakespeare Monologue | N212 | Open | Age 15 and over | Boys & Girls | (a) Twelfth Night, Act 4, Scene 3 | Character: Sebastian From: This is the air, that is the glorious sun,… To: …That is deceivable. But here the lady comes. |
| (b) Othello, Act 4, Scene 3 | Character: Emilia From: But I do think it is their husbands’ faults… To: …The ills we do, their ills instruct us so. |
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| Shakespeare Monologue | N213 | Open | Ages 10 to 14 | Boys & Girls | (a) The Merchant of Venice, Act 3, Scene 2 | Character: Bassanio From: O Sweet Portia, Here are a few of the unpleasant’st words…To: …Of merchant-marring rocks? |
| (b) A Midsummer Night’s Dream, Act 1, Scene 1 | Character: Helena From: How happy some o’er other some can be!… To: …To have his sight thither and back again. |
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| Shakespeare Monologue | U/E/K/Y 214 | Non-Open | Age 15 and over | Boys & Girls | (a) Richard II, Act 2, Scene 3 | Character: Bolingbroke From: As I was banished, I was banished Hereford,… To: …To my inheritance of free descent. |
| (b) As You Like It, Epilogue | Character: Rosalind From: It is not the fashion to see the lady the epilogue… To: …when I make curtsy, bid me farewell. |
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| Shakespeare Monologue | U/E/K/Y 215 | Non-Open | Ages 10 to 14 | Boys & Girls | (a) Romeo and Juliet, Act 1, Scene 1 | Character: Romeo From: Alas that love, whose view is muffled still,… To: …A choking gall and a preserving sweet. Farewell, my coz. |
| (b) As You Like It, Act 3, Scene 5 | Character: Rosalind From: And why, I pray you?… To: …So take her to thee, shepherd. Fare you well. |
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| Solo Dramatic Performance | N216 | Open | Age 15 and over | Boys & Girls | 5mins | |
| Solo Dramatic Performance | N217 | Open | Ages 13 and 14 | Boys & Girls | 4mins | |
| Solo Dramatic Performance | N218 | Open | Ages 11 and 12 | Boys & Girls | 4mins | |
| Solo Dramatic Performance | N219 | Open | Ages 9 and 10 | Boys & Girls | 3mins | |
| Solo Dramatic Performance | N220 | Open | Ages 7 and 8 | Boys & Girls | 3mins | |
| News Feature Presentation | N238 | Open | Secondary 1 and 2 | Boys & Girls | 2mins (video submission) | |
| News Feature Presentation | N239 | Open | Secondary 3 and 4 | Boys & Girls | 2mins (video submission) | |
| News Feature Presentation | N240 | Open | Secondary 5 and 6 | Boys & Girls | 2mins (video submission) |






